For most novelists, the city where the action takes place is a backdrop or a stage set, nothing more than scenery. But the Berlin of Philip Kerr’s stories is a character in the books – a personality as complex and troubled as his private-investigator protagonist. ‘When I started writing I was after the character of the Berliner rather than the history of Berlin,’ says Kerr. ‘Berlin people have always been awkward-squad Germans, which is probably why I admire them. Hitler didn’t like them at all, and Berliners are the same now as then – they haven’t changed.’ Read more here: philipkerr.org/about